Presumably if we have a "HiFi" subscription from Tidal/WiMP or Qobuz we can trust that the streams being provided are lossless (apart from where otherwise indicated by the service). Now that audiophiles are streaming lossless 16 bit / 44.1 kHz music from services such as TIDAL HIFI, Qobuz, and Deezer, the question of how to analyze this music becomes relevantĬhris, I'm unclear about the need to analyse lossless streams from these services. If someone wanted to pirate music, they would just download the full album off a shady website somewhere in a fraction of the time rather than jumping through all those hoops. Those AirPlay recorders which automatically split the stream and pull in metadata seem more like they would be used for piracy but again, you're going to subscribe to Tidal just to pirate audio in real-time? What, you expect people to queue up a playlist in Tidal, record it in real-time, and then chop it up into separate tracks, then manually tag them? I don't see why some people are assuming that this automatically means it's going to be used for piracy. It may not be using the program to its full extent, but this is one way you can use it, and I can see why Chris would have tried this approach. Rogue Amoeba make great products, so I have been meaning to check it out, but I just don't use the Macs here very often. The idea that people are now just figuring out this type of application exists (and running around screaming about the falling sky) based on this article is mind boggling.The concept may not be new, but Audio Hijack 3 is new, and there's been a lot of positive press around it in the Mac community recently. This software is absolutely nothing new and has been around for years upon years upon years.
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